On Saturday, May 17, 2025, a student of the Javanese Language, Literature, and Culture study program, class of 2023, Maysa Putri Fatihah, won the 1st runner-up prize in the Javanese Script Literacy competition. This competition was held by Pura Pakualaman in the framework of the 219th (in Javanese year) Hadeging Kadipaten Pakualaman Ngayogyakarta. This year, the Hadeging Kadipaten Pakualaman event carries the theme 'Manggala Gati Wiwaraning Rat'.

This Javanese Script Literacy Competition is divided into two categories, namely General and Students. For the general category, the competition is to translate Latin text into Javanese script and draw rerenggan/illustrations according to the participants' interpretation of the contents of the text. The questions are in the form of macapat songs from the Sestra Ageng Adidarma manuscript text collected by the Widyapustaka Pakualaman Library. This text contains 6 verses of the Durma song, all of which must be depicted in the renggan, but only the first verse is translated. The text was given when the registration was announced, so participants could prepare illustration ideas well in advance.

On the day of the event, participants were given 5 hours to complete the work. During the process, participants were prohibited from opening their cellphones, copying letters, or plagiarizing images. The committee only provided drawing paper with Pakualaman stickers to minimize cheating.

Maysa's work itself has a deep meaning. She mentioned in the description of her rerenggan that the color red symbolizes courage, while blue symbolizes peace and noble character. In the ornament under the renggan, a circle is depicted which has the meaning of rat or universe. In addition, there are ornaments of cannons, arrows, and spears as weapons of war. These weapons of war symbolize a source of strength or support to achieve victory.

Apart from Maysa, there were 2 other students from the 2023 batch who took part in this competition, namely Rafi Nur Fauzy and Rafif Wicaksono. Both are among the top 10 nominees with the best works. By participating in this competition, it is hoped that students can love and appreciate the literary works left by our ancestors more.

"It certainly feels happy to have the opportunity to participate in the Javanese script literacy competition and win. It's great to meet great people there (especially philologists). Alhamdulillah, I was able to bring home the trophy from Pakualaman and make my parents proud. Hopefully, my other friends will be motivated so that in the next opportunity they can participate and compete together," said Maysa.

Another proud achievement has been made by cultural studies students (mahadaya) at Gadjah Mada University (UGM). Muhammad Siswoyo, a student in the Javanese Language, Literature, and Culture Study Program, Faculty of Cultural Sciences, won second place in the Kencana Sastra essay competition held by the Javanese Language Education Study Program Student Association, Sebelas Maret University (UNS).

The competition carried the theme “Kabudayan Jawa Nut Larasing Jaman, Tan Bisa Sirna Ing Kasejaten” (Javanese Culture Remains Relevant, Cannot Be Erased from Reality) with three main sub-themes, namely tradition, Javanese cultural values, and knowledge and technology. The series of activities began on May 3, 2025, with the winners announced on May 31, 2025.

In this event, Siswoyo wrote an essay titled “Tutur-Tulis-Pakeliran-Visual: Ekranisasi Repertoar Wayang sebagai Kontinuitas Inovasi Manuscript Digitazion menuju Pertunjukan Kontemporer berbasis Technological.” (Tutur-Tulis-Pakeliran-Visual: The Screen Adaptation of Wayang Repertoire as a Continuation of Manuscript Digitization Innovation toward Contemporary Performances Based on Technology). The work highlights the process of screen adaptation of wayang, starting from old digitized manuscripts, then staged in the form of conventional wayang, to being transformed into cinema wayang. This idea is considered a form of innovation and an offer of renewal so that wayang remains relevant and can be enjoyed by various groups in Indonesia.

In an online interview on August 20, 2025, Siswoyo expressed his deep impression of participating in the competition. “It was exciting. The new theme emphasized cultural relevance. More than relevance and innovation, basic cultural knowledge should be the main point in writing,” he said.

Furthermore, he encouraged his fellow students not to hesitate to participate in various competitions and external activities. “Stay enthusiastic. Don't be shy to be dynamic in competitions or external activities. All students have the same rights. There are many opportunities waiting for you,” he added (08/20/2025).

Siswoyo's achievement is expected to inspire students of the Javanese Language, Literature, and Culture Study Program, as well as the younger generation in general, to continue to excel while preserving the cultural heritage of the archipelago. Culture, as the intellectual wealth of the nation, needs to be continuously preserved and revitalized so that it can continue to benefit society. This is in line with the goals of sustainable development (SDGs), particularly quality education (point 4), sustainable cities and communities (point 11), and partnerships to achieve goals (point 17).

Until the Final Semester Exam period, the excitement of the Codicology course never ends. After taking students of the Javanese Language, Literature, and Culture study program to visit three libraries in Yogyakarta, this time the students are invited to practice making manuscript protectors and creating manuscripts.

As the name implies, a manuscript protector is a box specially designed to protect ancient manuscripts from physical damage and degradation due to environmental exposure. This box is usually made of non-acidic and neutral materials, such as sirio black cardboard, to prevent further damage to ancient manuscripts. This manuscript protector box is usually made for rare books, manuscripts, or libraries that are old and fragile.

Students learn to make this manuscript protector with the aim that students understand the basic dimensions of making a protective box and can apply it one day if needed. Many places or libraries need this skill.

In addition to making manuscript protectors, in the following week, students are invited to create manuscripts. The manuscripts of these students' works will later be published in a book published in the context of the retirement of a senior lecturer, namely Dr. Sri Ratna Saktimulya, M.Hum. Students are free to create and work on their own manuscripts. Text materials can be taken from existing manuscripts, or self-made. However, in the process, students are required to add illustrations in the form of rerenggan, gapura renggan, wedana renggan, or rubrication.

Students are divided into 16 groups, with each group creating one work. With these practices, students can apply the material obtained during one semester into their own handmade work. Of course, this will be very impressive, especially if it will be published later.

Together with the Center for Cultural Studies and the Center for Disaster Studies UGM, students of the Javanese Language, Literature, and Culture study program had the opportunity to dive directly into the community environment in the context of community service. This activity involved the 2023 and 2024 batches, namely Abimanyu Mahendra, Yanuar Agung, Noviyanti Alfitri, Bayu Seta Ardiansyah, Maylafaizza Nafisha, Fega Achillea, Rafi Nur Fauzy, and Rafif Wicaksono.

This activity was led by a lecturer in philology, Dr. Sri Ratna Saktimulya, M.Hum. who also serves as the current Head of the UGM Center for Cultural Studies. For two days (22-23 June 2025), this team carried out activities in Padukuhan Wotawati, Pucung District, Gunungkidul Regency, DI Yogyakarta.

Wotawati Village, which is located in a unique valley of the former flow of the Ancient Bengawan Solo, has historical and cultural potential but faces significant problems. The main challenges include the absence of a comprehensive and credible narrative regarding the identity of the village that is vulnerable to misinformation, minimal education and preparedness for hydrometeorological disasters, and suboptimal preservation of local culture. This community service aims to empower Wotawati through an approach based on local wisdom and participatory education.

Therefore, this joint team intends to compile a literary work Babad Wotawati which contains history, geography, cultural potential, and disaster education holistically. This Babad is expected to become an official reference source regarding information and the identity of Wotawati village and can become a valuable cultural heritage in the future. This Babad is not only a medium for preserving identity, but also a disaster education tool that is easily accessible to the public. Macapat song training will also complement this effort, reviving oral traditions as a means of conveying messages to the younger generation. Thus, Wotawati can rise as an independent, empowered, and widely known community with a complete and accurate narrative, while being ready to face future challenges.

Thus, in-depth research efforts are needed by visiting and observing directly at the research location. Javanese Language, Literature, and Culture students are given the task of practicing karawitan, introducing tembang dolanan, practicing macapatan, interviewing residents, or documenting activities.

With this activity, it is hoped that students can apply the knowledge and skills they have gained during their studies and can provide benefits to the community directly.

During the 30th Temu Budaya Nusantara (TBN), a new Javanese Language, Literature, and Culture student from the 2024’s batch took part in the competition as a delegate and immediately came out on top! Who is the winner? Let's take a peek at the story!

Ghibran Arsha Daffa' Musaffa' is the 3rd place winner of the Storytelling Competition held at the 30th TBN in 2024. Although Ghibran is a new student, this did not dampen his determination to compete in this national competition. Ghibran said that as soon as he heard that a national storytellers competition would be held and he could represent Universitas Gadjah Mada, he was immediately interested to join.

Initially, the theme he wanted to take was children's games (dolanan anak). Ghibran had even arranged the storyline of the story in such a way. However, after consulting with an elementary school teacher in Yogyakarta, it turned out that the story was considered less relevant to youngster. The teacher finally suggested a romance theme, but it could be connected to culture. Finally, the theme chosen was jathilan. Ghibran stated that this story was inspired by the story of Dr. Inggar Bagus Wibisono. A doctor, jathilan dancer and an Keraton’s abdi dalem all at once. The synopsis of the story is as follows.

There are 2 college students who are dating named Joko and Wati. Wati is said to like things that have to do with culture and has the opinion that she must take part in preserving and maintaining culture, especially Yogyakarta culture. The peak of the conflict takes place in Malioboro where Joko finally finds out that Wati is a jathilan player. Here Joko represents the thoughts of the people who like to swallow the stigma about jathilan raw. However, Wati still chooses to break up with Joko and preserves the jathilan dance and becomes a skilled dancer, to the point of being nicknamed Nyai Rangga Wati.

However, there is a unique fact, namely that Ghibran is actually afraid of jathilan! Even now, when he hears the accompaniment of jathilan gamelan, he still feels nervous because in the past there was an incident where a jathilan dancer almost wanted to enter his house, hihihi. So the process of making this fairy tale is one of Ghibran's ways to get out of his comfort zone. For the sake of this fairy tale, Ghibran was willing to observe and interview female jathilan figures.

Ghibran got a lot of things from this TBN XXX event. Ghibran is grateful because he became brave enough to try new things and put aside his fear. Ghibran also got new friends, even from Bali. Although at the beginning of the event Ghibran felt afraid, because of his father, Ghibran was convinced to try his best because winning or losing is a later matter.

From Ghibran we can learn that in order to achieve what we want, we must put in a lot of effort. In addition, as young people, Ghibran gives an example that we can create cultural-themed works and clear the negative stigma that has been attached to the culture. Finally, there is a message from Ghibran that young people should not be ashamed to preserve their own culture. Because if we don't preserve it, who else will?

In order to encourage the study of Indonesian art archaeology as well as to participate in the field of inclusive education, the scientific division of the Javanese Language, Literature and Culture Student Association (HMJ Kamastawa) collaborates with Artefak Magazine, a publication of the Archaeology Undergraduate Program, Faculty of Cultural Sciences, Universitas Gadjah Mada (FIB UGM). This collaboration resulted in the 2024 edition of Artifact Magazine which raised a theme entitled “Archaeology of Art.”

The magazine features a variety of interesting content, including a feature article, four scientific papers, six popular scientific papers, three opinions, and four essay photos. The presented material also varies from traditional to contemporary, so that the broad discussion can spark curiosity and open a deeper horizon about art archaeology.

So, what is discussed in this edition? How does art and archaeology relate? If students' minds have already come up with such questions, there is nothing wrong with visiting the Instagram account @artefak.hima.

The collaboration between two different academic programs—Javanese Language, Literature, and Culture, with Archaeology—is a joint effort to produce critical and in-depth studies of cultural objects. This collaboration not only enriches the educational landscape but also as a form of implementation of the Sustainable Development Goals (SDGs) points, especially in information gathering, innovation, and education, as well as a form of collaboration in realizing quality education, especially in the field of art archaeology.

Writer       : Haryo Untoro

Editor          : Fega Achillea M.