The Student Association of the Department of Javanese Literature (Himpunan Mahasiswa Jurusan, HMJ) Keluarga Mahasiswa Sastra Jawa (Kamastawa) organized a community service activity entitled “Kamastawa Mengajar dan Berbagi” (Kamastawa Teaches and Shares) at Sanggar Puspa Budaya, Kapanewon Minggir, Sleman Regency, Special Region of Yogyakarta, on Saturday (10/31/2026). This activity represents a tangible expression of students’ concern for education and the preservation of local culture, as well as an effort to revive the practice of using polite Javanese (unggah-ungguh) among children.

This community service program was the result of a collaboration between the Scientific Division and the Social and Community Division of HMJ Kamastawa. This interdivisional synergy was designed to ensure that the programs implemented could generate a tangible and sustainable social impact on the wider community.

A total of 30 elementary school-aged children who are members of Sanggar Puspa Budaya participated in this activity. From the opening of the event in the morning, the children’s enthusiasm and cheerful expressions were evident as they prepared to take part in the entire series of activities.

The event began with an educational session on unggah-ungguh basa Jawa, or Javanese language etiquette. An understanding of language etiquette and speech levels is considered very important to instill from an early age so that younger generations continue to recognize and uphold their cultural roots amid the onslaught of modernization.

To make the material easier for children to understand, the Scientific Division adopted an interactive approach through a game in which participants filled in missing letters in Javanese vocabulary. Through this learning by playing concept, the children were encouraged to participate actively without feeling pressured or bored. The atmosphere at the cultural center became lively as the participants enthusiastically competed to answer questions and complete the challenges presented.

Left: HMJ Kamastawa members distribute gift packages to participants.
Right: A glimpse of the participants’ enthusiasm during the learning session.

Following the interactive learning session, the activity continued with a social initiative involving the provision of learning facilities and supporting equipment for the cultural center. HMJ Kamastawa donated various school supplies, including a whiteboard, markers, notebooks, pencils, pens, and other supporting materials to support operations and teaching and learning activities at Sanggar Puspa Budaya.

Through this community service activity, HMJ Kamastawa hopes to continue inspiring children’s enthusiasm for learning the Javanese language and culture. In addition, the activity is also expected to strengthen students’ empathy and social awareness toward the surrounding community.

Writer: Nindy Rosalina Ekaputri
Editor: Haryo Untoro

The Student Activity Unit (UKM) Swagayugama has once again demonstrated its commitment to preserving Yogyakarta-style Javanese arts through a grand performance entitled “Cakra Laksana.” Held at the Concert Hall of Taman Budaya Yogyakarta on Saturday (24 October 2026), the event is an annual program that serves as a platform for appreciation and a showcase of members’ work following a period of rehearsals.

This year’s performance featured four artistic presentations in sequence: the Klana Alus Cangklek dance, the “Teguh Jiwa” Karawitan Concert, Beksan Menak Wiragama, and the dance drama Bahara Gati Maya, representing the diversity of traditional Yogyakarta-style Javanese arts. Klana Alus Cangklek, created by KRT. Sasminta Mardawa and Condro Radono, tells the story of Prabu Dasalengkara, who falls in love with Dewi Siti Sendari. The “Teguh Jiwa” Karawitan Concert featured Ladrang Teguh Jiwa Laras Slendro Pathet Sanga, composed by Raden Wedono Yosef Larassumbogo during the Second Dutch Military Aggression to depict the 1 March 1949 General Offensive through a combination of instruments imitating the sounds of warfare and the Kinanthi Teguh Jiwa vocal ensemble. Meanwhile, Beksan Menak Wiragama highlights the spirit of learning and valuing the process through the example set by Patih Gadjah Mada, as well as the agility of female warriors. The performance concluded with Bahara Gati Maya, a dance drama depicting Prince Mangkubumi’s inner struggle to understand the meaning of the fight and the ego of victory amid the suffering of the people caused by war.

Students from the Javanese Language, Literature, and Culture Study Program also played an active role in making the performance a success. Their involvement extended beyond a single type of performance and encompassed various aspects of the event, from onstage performances to organizing committee duties.

Onstage, students participated as dancers and gamelan musicians. As dancers, they took part in several dance performances, including a dance drama that draws on the traditions of Yogyakarta-style Javanese performing arts. Meanwhile, as gamelan musicians, they accompanied the “Teguh Jiwa” Karawitan Concert and helped provide musical accompaniment for dance performances and dance dramas alongside other Swagayugama members.

In addition to participating in the performances, students also contributed as members of the organizing committee. They took part in various stages of the event, from preparation through execution. These roles were an important part of ensuring the smooth running of the entire performance.

The students’ active involvement in “Cakra Laksana” demonstrates the connection between classroom learning and the direct practice of cultural preservation. Through their participation in both performing arts and event organization, students of the Javanese Language, Literature, and Culture Study Program contributed to sustaining Yogyakarta-style Javanese arts so that they remain alive and continue to be known by future generations.

Author            : Nindy Rosalina Ekaputri
Editor             : Haryo Untoro

Students from the Study Program of Javanese Language, Literature, and Culture at the Faculty of Cultural Sciences, Universitas Gadjah Mada (FIB UGM), achieved notable accomplishments at the 32nd Temu Budaya Nusantara (TBN), organized by the Indonesian Association of Regional Language and Literature Students (Ikatan Mahasiswa Bahasa dan Sastra Daerah Indonesia, or Imbasadi) at Universitas Sebelas Maret (UNS) on October 12–15, 2026. Carrying the theme “Muda Berkarya, Kami Bhima Budaya” (Young People Creating, We Are Bhima Budaya), the event provided a platform for students from various universities to develop their potential, broaden their cultural knowledge, and strengthen connections among students.

As an annual Imbasadi event, the 32nd Temu Budaya Nusantara featured a range of cultural and academic activities. These included a National Deliberation Meeting, cultural seminars, and a closing ceremony featuring an awards presentation and the inauguration of the new Imbasadi board for the 2026/2028 period. Through these activities, students from universities across Indonesia offering regional language and literature study programs had the opportunity to build connections, exchange ideas, and broaden their cultural perspectives.

FIB UGM’s Study Program of Javanese Language, Literature, and Culture participated in the event by sending six delegates. The delegates were Shabrina Fitra Azzahra (class of 2024), Eva Wulandari (class of 2025), Yogi Setiyawan (class of 2025), Muthiah Rahmadani (class of 2026), Januar Aziz Maulana (class of 2026), and Fabiola Anenina Karissa (class of 2026).

UGM’s participation in the 32nd TBN was marked by several notable achievements. Two students, Januar Aziz Maulana and Fabiola Anenina Karissa, received nominations for Runner-Up II Imbasadi 2026. Meanwhile, Muthiah Rahmadani won third place in the batik design competition. In addition to these achievements, Yogi Setiawan was entrusted with the role of Imbasadi President for the 2026/2027 term. These accomplishments reflect the contributions of students from FIB UGM’s Study Program of Javanese Language, Literature, and Culture to appreciating, preserving, and promoting the rich cultural heritage of the Indonesian archipelago through academic and cultural activities. They also demonstrate the students’ active role in strengthening collaboration and fostering connections among students from universities throughout Indonesia.

Through the organization of Temu Budaya Nusantara and the achievements attained, it is hoped that students will become increasingly committed to safeguarding and preserving regional cultural heritage. The event is also expected to further strengthen ties among regional language and literature students throughout Indonesia.

FIB UGM’s Study Program of Javanese Language, Literature, and Culture extends its appreciation to all parties who supported the event. A spirit of togetherness and a shared appreciation for culture are expected to continue serving as the foundation for students to pursue creative endeavors and contribute to preserving Indonesia’s cultural diversity.

Indonesia is diverse, Imbasadi unites.

Author            : Haryo Untoro
Editor             : Haryo Untoro

KAGAMA UGM, in collaboration with KAGAMA Batik and the Javanese Language, Literature, and Culture Study Program at the Faculty of Cultural Sciences (FIB), Universitas Gadjah Mada (UGM), held the 2026 National Batik Day Seminar on Saturday, October 3, 2026. Taking place at the Soegondo Auditorium, FIB UGM, the seminar carried the theme “Preserving Heritage, Nurturing the Future: Batik as a Cultural Identity and a Space for Innovation.” The event was organized to commemorate National Batik Day, which falls on October 2, 2026.

The event opened with a performance of the Golek Ayun-Ayun dance as a welcoming gesture to the guests in attendance. The event was made even more vibrant by a showcase of various types of batik from different regions, ranging from Jakarta batik to Madura batik. This series of activities served as an introduction to the richness of Indonesian batik motifs, the diversity of its traditions, and the cultural values embedded in this heritage.

The seminar featured Dr. Eng. Ir. Laretna Trisnantari Adishakti, M.Arch., a retired UGM lecturer and Chair of the UNESCO Chair in Heritage Cities Conservation and Management, as the keynote speaker. In her presentation, she explored various aspects of batik, including its history, local wisdom, and role in sociocultural movements and international relations diplomacy.

Dr. Eng. Ir. Laretna Trisnantari Adishakti, M.Arch., also highlighted the challenges of sustaining batik traditions amid changing times and emphasized the importance of developing sustainable preservation strategies. One of the key points she raised was batik’s role as a tool of diplomacy, both across the Indonesian archipelago and Southeast Asia, as well as on the global stage. Beyond serving as a cultural identity, batik also has the potential to support a regenerative economy—a system that not only generates economic value but also restores the environment, strengthens social and cultural life, and improves community well-being.

Following the keynote session, the seminar continued with a discussion moderated by Dr. Sulistyowati, S.S., M.Hum., Head of the Javanese Language, Literature, and Culture Study Program at FIB UGM. The seminar featured two speakers with distinct backgrounds and experiences: dr. CHR Sulistyono, M.Sc., FISQua, owner of Batik Nyah Kiok, which produces Lasem batik in Rembang, and Aji Setyowijaya, S.S., a Yogyakarta batik artisan who also specializes in batik tiga negeri, a traditional batik style combining influences from different regions.

In his presentation, dr. CHR Sulistyono, M.Sc., FISQua, explained the history of Batik Nyah Kiok and the development of Lasem batik, including the challenges involved in ensuring its continued survival. He noted that the existence of Lasem batik is closely intertwined with the customs and cultural practices of the communities that use it. Despite its strong historical and cultural significance, batik faces several challenges today. The declining number of artisans and limited generational renewal are issues that require serious attention. These conditions could hinder the continuity of the knowledge, skills, and batik-making traditions passed down from one generation to the next.

Meanwhile, Aji Setyowijaya, S.S., shared his experience of independently pursuing a career in batik. He emphasized the importance of paying greater attention to batik-making techniques and procedures, which he believes have not received sufficient consideration. According to him, batik preservation efforts should encompass the entire production process, including knowledge of the materials and tools used by artisans. Knowledge of production methods, material availability, equipment use, and technical skills must also be safeguarded to ensure that batik-making traditions continue to thrive. Attention to these production-related aspects is increasingly important in sustaining the livelihoods of batik artisans while creating opportunities for innovation without compromising traditional values.

Participants’ enthusiasm was evident in the wide range of questions and responses raised throughout the seminar. The discussions demonstrated that batik is not only an engaging subject from an aesthetic perspective but also a gateway to broader conversations about history, cultural identity, social practices, economic sustainability, and production challenges.

The 2026 National Batik Day Seminar broadened public understanding of batik’s role in Indonesian life, not merely as a cultural heritage, but also as a means of diplomacy, a source of historical knowledge, an economic opportunity, and a space for innovation. Its development must go hand in hand with community empowerment, including the empowerment of women, and environmental awareness, with artisans and communities recognized as essential parts of the batik ecosystem.

Through this seminar, the organizers invited the public to explore and preserve batik in its entirety, encompassing its motifs, philosophical values, knowledge, and skills passed down through generations. In this way, batik can be safeguarded not only as an expression of Indonesian cultural identity but also as a means of supporting community well-being and developing sustainably as a source of inspiration for future generations.

Writer : Haryo Untoro
Editor : Haryo Untoro

Cultural preservation is not only carried out by maintaining the continuity of living traditions but also by reviving arts that are beginning to be abandoned. This effort is being undertaken by Ghibran Arsha Daffa’ Musaffa’, a 2024 student in the Javanese Language, Literature, and Culture Study Program, Faculty of Cultural Sciences, Universitas Gadjah Mada (FIB UGM). His interest in oral traditions, which began through his coursework, inspired Ghibran to take the initiative to revive the Gejog Lesung art tradition in Karang Tengah Hamlet, Bantul Regency, Special Region of Yogyakarta.

Gejog lesung is a traditional art form that uses the rhythmic sounds of a lesung as musical accompaniment. A lesung is a wooden vessel used to pound unhusked rice into rice grains. Over time, the pounding activity produced rhythmic sounds that were subsequently incorporated into artistic performances. In an online interview conducted on 22 September 2026, Ghibran explained that Gejog Lesung performances typically combine the rhythmic pounding of the lesung with traditional songs, such as Gugur Gunung and Prau Layar. In Karang Tengah Hamlet, this art form is represented by the Gejog Lesung Ngudi Lestari group.

According to Ghibran, the existence of the lesung is closely connected to the history of Karang Tengah Hamlet. A stone pounding tool known as watu lumpang was discovered in the area and is estimated to have existed since around 1632 CE. The tradition of pounding has also been practised for a long time, one aspect of which is associated with the role of the Karang Tengah community in providing food supplies for the abdi dalem who built the tomb complex of the Mataram kings in Imogiri. At that time, pounding was carried out to process unhusked rice into rice grains. Over time, stone pounding tools were replaced by wooden lesung, which were considered more flexible to use. The activity of pounding with a lesung produced interesting, rhythmic sounds. These sounds not only accompanied the work but could also boost people's enthusiasm while working and serve as entertaining spectacles. From this practice, Gejog Lesung developed into a form of cultural expression within the local community.

Documentation of Watu Lumpang

The Gejog Lesung Ngudi Lestari group was established in 1965, with performances involving people pounding the lesung and singers performing traditional songs. Later, in 2000, the group began incorporating dancers to visually interpret the songs being performed. For example, when performing Gugur Gunung, the dancers portray activities associated with gotong royong (mutual cooperation). The combination of the sounds of the lesung, singing, and dancing made the performances more diverse.

Throughout its history, Gejog Lesung Ngudi Lestari has frequently performed at various community events, ranging from village anniversary celebrations and community gatherings to cultural events. The group was also once invited to perform at Kanjengan, Imogiri, as part of the Kirab Siwur tradition, a procession in which a siwur is carried as part of the nguras enceh ritual series. The ritual involves cleaning the water vessels and filling them with water at the tomb complex of the Islamic Mataram kings in Imogiri.

However, over time, this artistic activity entered a state of “suspended animation” due to the absence of generational succession. This situation encouraged Ghibran to take part in efforts to preserve the art form in his area. His interest grew further when he took the Oral Tradition course in the Javanese Language, Literature, and Culture Study Program at FIB UGM. The course marked one of the starting points for Ghibran to gain a deeper understanding of the gejog lesung tradition while encouraging him to engage directly in its preservation. “Thanks to the Oral Tradition course, I was encouraged to learn more about this tradition, and it also strengthened my motivation to bring it back,” Ghibran explained.

In addition to being a university student, Ghibran is active in the youth organization Angkatan Muda-Mudi Islam (AMMI) Karang Tengah, particularly in its literacy and education division. Through his involvement in the organization, he initiated the formation of Gejog Lesung Ngudi Lestari New Generation as an effort to continue the artistic tradition that had previously ceased. This initiative involved local young people while also inviting the elders to share their knowledge and skills related to the gejog lesung art form. “We started from scratch and also invited the elders to teach us. They were happy because this art form now has successors,” he added.

Gejog Lesung Ngudi Lestari New Generation Performance

Rebuilding the artistic group was not without challenges. In the early stages, Ghibran faced difficulties in encouraging young people to get involved. Nevertheless, the gradual approach he adopted began to foster enthusiasm among the members. “At first, it was somewhat difficult, though manageable. Some felt inferior, while others were embarrassed to take part in preserving this tradition. However, Alhamdulillah, with strong efforts, my friends became enthusiastic and even expressed plans to hold regular weekly practice sessions,” Ghibran explained.

Gradually, these efforts began to bear fruit. Gejog Lesung Ngudi Lestari New Generation performed again, combining the rhythmic pounding of the lesung, singing, dancing, and ketoprak performances during the celebration of the Independence Day of the Republic of Indonesia on 17 August. The performance served as a step towards reintroducing gejog lesung to the community while fostering greater interest among young people in local arts. This effort also attracted the attention of the Bantul Regency Cultural Office and the Deputy Regent of Bantul. Going forward, the art form is planned to be featured in various cultural programmes or events.

Ghibran’s initiative demonstrates that cultural preservation can begin within one's immediate surroundings and develop through the active involvement of young people. Through the knowledge gained at university, support from youth organizations, and the involvement of elders in passing down traditional knowledge, a tradition that had previously ceased can once again find room to develop. The efforts of nguri-uri ‘preserving’ and ngurip-urip ‘reviving’ culture demonstrate that cultural preservation is not merely about safeguarding identity; it also creates opportunities for culture to bring benefits to the community itself.

Author            : Haryo Untoro
Editor             : Haryo Untoro

Program Studi Bahasa, Sastra, dan Budaya Jawa menyelenggarakan diskusi rutin bertajuk “Geliat Sastra Jawa dalam Media: Cipta, Karya, dan Perubahannya” pada Jumat, 25 September 2026. Pada edisi September ini, diskusi mengangkat tema “Sastra Jawa dalam Siaran Radio” dan dilaksanakan di Ruang 709 FIB UGM pada pukul 13.00–15.00 WIB.

Dalam kegiatan tersebut, Program Studi Bahasa, Sastra, dan Budaya Jawa menghadirkan Titik Renggani, penyiar senior RRI, pegiat teater, serta pelestari budaya Jawa asal Yogyakarta. Kegiatan dihadiri oleh mahasiswa Program Studi Bahasa, Sastra, dan Budaya Jawa dari berbagai angkatan serta mahasiswa exchange.

Dalam pemaparannya, Titik Renggani berbagi pengalaman mengenai keberadaan sastra dalam siaran radio, khususnya di RRI. Ia menjelaskan berbagai aspek yang berkaitan dengan proses penciptaan karya sastra, seperti radio, geguritan, majalah udara, feautere, dsb., pembacaan atau penyampaian karya sastra melalui siaran, hingga peran voice actor dalam dunia penyiaran. Selain itu, ia juga memaparkan berbagai peluang yang dapat dikembangkan bagi mereka yang memiliki ketertarikan terhadap dunia radio dan industri kreatif.

Salah satu hal yang menarik perhatian peserta adalah informasi mengenai jumlah audiens RRI Yogyakarta. Pada kesempatan tersebut, Titik Renggani menunjukkan data melalui aplikasi RRI Digital dan menyampaikan bahwa pada hari pelaksanaan kegiatan, Jumat, 25 September 2026, RRI Yogyakarta tercatat didengarkan oleh sekitar 208 ribu audiens. Menurut data yang ditunjukkannya, jumlah tersebut berada di atas jumlah audiens RRI Jakarta dan RRI Surabaya pada saat itu.

Titik Renggani juga memberikan motivasi kepada mahasiswa untuk terus mengembangkan kemampuan dan berkarya melalui bidang yang mereka tekuni. “Bila saya saja yang merupakan lulusan ekonomi mampu untuk terus berkarya dalam siaran, termasuk terkait dengan bahasa dan sastra Jawa, teman-teman juga harus mampu karena mendalami ilmu tersebut,” tuturnya.

Setelah sesi pemaparan, kegiatan dilanjutkan dengan diskusi. Suasana diskusi berlangsung serius, tetapi tetap santai sehingga mendorong peserta untuk aktif menyampaikan pertanyaan. Pertanyaan yang muncul pun beragam, mulai dari proses penciptaan karya sastra Jawa, dunia penyiaran dan RRI, hingga kiat-kiat menghasilkan karya yang menarik dan berkualitas.

Diskusi tersebut menjadi ruang bagi mahasiswa untuk melihat sastra Jawa tidak hanya sebagai objek kajian akademik, tetapi juga sebagai bagian dari praktik kreatif yang dapat hadir dalam berbagai media. Pengalaman yang dibagikan Titik Renggani menunjukkan bahwa radio dapat menjadi salah satu ruang bagi sastra Jawa untuk terus digunakan, dikembangkan, dan diperkenalkan kepada masyarakat.

Melalui diskusi ini, peserta memperoleh gambaran mengenai keberadaan dan perkembangan sastra Jawa dalam dunia radio dan penyiaran. Bagi mahasiswa, pengalaman yang dibagikan Titik Renggani juga menjadi wawasan mengenai peluang pengembangan bahasa dan sastra Jawa melalui media kreatif. Diskusi ini sekaligus menunjukkan bahwa upaya nguri-uri ‘melestarikan’ dan ngurip-urip ‘menyemarakkan’ bahasa dan sastra Jawa dapat dilakukan melalui berbagai medium agar tetap hadir dan relevan di tengah perkembangan zaman.

Penulis           : Haryo Untoro
Editor             : Haryo Untoro

The Student Association of the Department (HMJ) of the Study Program of Javanese Language, Literature, and Culture, Faculty of Cultural Sciences, Universitas Gadjah Mada (FIB UGM), held Abhiseka Kramasisya 2026 on Saturday, 12 September 2026. This activity was a welcoming event and inauguration ceremony for new students of the Study Program of Javanese Language, Literature, and Culture. As part of the initial series of university life, the 2026 cohort of new students participated in the activity to become acquainted with the academic environment while building a sense of togetherness with the academic community of the study program.

The series of Abhiseka Kramasisya 2026 featured various activities that introduced new students to university life. The activity began with an opening dance performance, followed by remarks from the hosts and the organizing committee. New students also had the opportunity to learn about campus life experiences through a talk show with alumni and a question-and-answer session with lecturers. Interactive games also helped create a more relaxed atmosphere before the series of activities continued with the siraman ceremony as one of the parts of welcoming the new students.

Following the welcoming activities, the event continued with an arts performance that provided a space for new students to express themselves through various forms of performance. The stage provided an opportunity for them to showcase their interests and talents while interacting with other students, the organizing committee, lecturers, and alumni in a more relaxed atmosphere. The creativity of the new students was evident in the various performances presented, one of which was a short theater performance that combined moral messages, humor about campus life, and social criticism. The students not only performed as actors but were also involved in bringing the story to life through character development and the presentation of the performance. The performance received a positive response from the audience through laughter and appreciation expressed throughout the show. More than merely entertainment, the arts performance also provided an opportunity for new students to gain the confidence to perform, create together, and get to know one another through the creative process. The interactions that developed during the performance also strengthened the sense of togetherness among the new students.

Documentation of the student arts performance

Through this series of activities, Abhiseka Kramasisya 2026 was not only a welcoming and inauguration event for new students but also part of an initial introduction to student life within the Study Program of Javanese Language, Literature, and Culture. This introduction did not stop at academic life but also demonstrated that being a student of Javanese Language, Literature, and Culture means having space to develop creativity and various potentials. The arts performance became one of the spaces for introducing this to new students, showing that Javanese language, literature, and culture are not only studied through academic activities but can also be brought to life through creativity and works. Thus, student creativity can become part of efforts to maintain, preserve, and develop Javanese culture so that it remains alive and can provide benefits to society.

Author            : Nurul Fajri Rahmani
Editor             : Haryo Untoro

On Thursday–Friday, 10–11 September 2026, the Master’s Program in Linguistics and the Department of Indonesian Language and Literature, Faculty of Cultural Sciences, Universitas Gadjah Mada (FIB UGM), held the International Conference on Linguistic Studies. The conference, which carried the theme “Forms, Meanings, and Functions of Language in the Era of Digital Transformation,” took place at the Poerbatjaraka Building, FIB UGM.

One of the participants in the conference was Haryo Untoro, an alumnus of the Javanese Language, Literature, and Culture Study Program at FIB UGM and a fast track student in the Master’s Program in Linguistics at FIB UGM. At the conference, Haryo had the opportunity to serve as a presenter, presenting his research entitled “Negotiating Cultural Identity in the Translation of Indonesian Poetry into Old Javanese in the Poetry Anthology Jenggala: Kumpulan Puisi Dwibahasa.”

The study examines the processes of cultural identity formation and negotiation in the translation of Indonesian poetry into Old Javanese. The poetry anthology Jenggala: Kumpulan Puisi Dwibahasa serves as the object of study, with Indonesian as the source language and Old Javanese as the target language. Old Javanese has a different position from Indonesian, as it is no longer used as a language of everyday communication and has no native speakers. This condition is one of the issues examined in the study, particularly in relation to how cultural identity is negotiated through translation choices into Old Javanese.

On Thursday, 10 September 2026, Haryo presented his research at the international conference. For Haryo, the conference was his first experience participating in an international conference and presenting his research at an academic forum. In an interview conducted on 18 September 2026, he admitted that he initially felt nervous but nevertheless tried to prepare and deliver his presentation as well as possible.

Participating in an international conference provides an academic experience that can encourage students to continue developing their research skills and confidence in presenting their ideas in academic forums. At the same time, such academic activities demonstrate that the study of regional languages and cultures can continue to develop through research using perspectives that are relevant to the advancement of knowledge.

Through such experiences, students are expected not only to continue developing their academic capacities but also to cultivate a commitment to preserving and developing regional cultures. These efforts can be pursued through various academic activities and research as part of nguri-uri, meaning “preserving,” and ngurip-urip, meaning “keeping alive and fostering,” cultural traditions so that they can conti

Writer            : Nurul Fajri Rahmani
Editor             : Nurul Fajri Rahmani

The Student Association of the Javanese Language, Literature, and Culture Study Program (HMJ Kamastawa), through its Academic Affairs Division, held an orientation session on the Study Plan Card (Kartu Rencana Studi/KRS) and course registration for new students, or Mahadaya, of the 2026 cohort on Monday, 11 August 2026. The activity was organized to prepare new students for the KRS registration period, which took place from 11 to 14 August 2026.

During the session, the Academic Affairs Division of HMJ Kamastawa provided an overview of several matters related to students’ preparation for their university studies. The materials included an introduction to and guidance on using Simaster, an introduction to courses, and an explanation of the 2026 curriculum. In addition to academic matters, participants also received information about Abhiseka Kramasisya 2026 and a brief introduction to Temu Budaya Nusantara (TBN) XXXII, an annual event organized by the Association of Indonesian Regional Language and Literature Students (Ikatan Mahasiswa Bahasa dan Sastra Daerah Se-Indonesia/Imbasadi).

The presentation on the 2026 curriculum also featured the Head of the Javanese Language, Literature, and Culture Study Program, Dr. Sulistyowati, S.S., M.Hum. Her participation gave new students an opportunity to receive a more detailed explanation of the structure and provisions of the curriculum they will follow. This explanation was particularly relevant as there are several differences between the 2026 curriculum and the curriculum applicable to students from previous cohorts.

The orientation was conducted in a serious yet interactive atmosphere. The new students not only listened to the materials presented but also actively raised questions about KRS registration, courses, the curriculum, and academic life throughout their studies in the Javanese Language, Literature, and Culture Study Program. The interaction reflected the new students’ enthusiasm for understanding various aspects of their upcoming academic journey.

Through this activity, the 2026 cohort of Mahadaya gained a clearer understanding of the KRS registration process, course structure, and curriculum they will undertake. In addition to providing academic preparation, the activity served as one of HMJ Kamastawa’s efforts to assist new students in adapting to the university environment and the dynamics of student life.

Through its Academic Affairs Division, HMJ Kamastawa remains committed to supporting students throughout their academic and student life. This support is intended to help new students build their readiness, both academically and through their involvement in the Javanese Language, Literature, and Culture Study Program community.

Writer : Haryo Untoro
Editor  : Haryo Untoro

As Pionir Kampung Budaya 2026 entered its second day, new students, or Mahadaya, had the opportunity to become more familiar with the study program that would become their academic home through the study program introduction session. The session was held on Thursday, 6 August 2026, from 10:00 to 11:30 a.m. WIB, in collaboration with the Javanese Language, Literature, and Culture Study Program, Faculty of Cultural Sciences, Universitas Gadjah Mada (FIB UGM), and the Student Association of the Javanese Language, Literature, and Culture Study Program (HMJ Kamastawa).

The session was led directly by the Head of the Javanese Language, Literature, and Culture Study Program, Dr. Sulistyowati, S.S., M.Hum. During the session, Mahadaya were introduced to various aspects of academic life within the study program, including the study program and faculty members, areas of specialization, facilities, and academic services. The three areas of specialization introduced were linguistics, philology, and literature. Students also received information about academic services, including study program administration and the Javanese Language, Literature, and Culture Study Program’s social media platforms.

The introduction also covered information about students and their academic journeys within the Javanese Language, Literature, and Culture Study Program. Mahadaya were introduced to several outstanding students, students participating in the fast-track program, and alumni who have made contributions in various fields. An overview of the 2026 curriculum, as the study program’s new curriculum, was also presented to provide students with an initial understanding of the learning process they would undertake during their studies.

The session took place in a serious yet relaxed atmosphere and was delivered interactively through dialogue between lecturers and students. Interaction was also encouraged through a quiz for Mahadaya based on the material presented earlier. Mahadaya who answered the questions correctly received small gifts as keepsakes.

A video introducing Nurmalia Habibah, S.S., M.A., one of the lecturers currently pursuing her studies abroad.

Presentation of a gift to a Mahadaya who successfully answered the quiz

One of the highlights of the session was the screening of introduction videos featuring several lecturers from the Javanese Language, Literature, and Culture Study Program who are currently pursuing their studies abroad, as well as videos featuring students and alumni. The videos provided an overview of academic experiences, student life, and the contributions of alumni as part of the Javanese Language, Literature, and Culture Study Program community.

The session concluded with a group photo, marking the first meeting between the 2026 Mahadaya and the academic community of the Javanese Language, Literature, and Culture Study Program. Through this activity, the new students not only gained information about the study program but also received an initial overview of the learning environment, areas of study, and various opportunities for personal and academic development available throughout their studies.

The study program introduction session also contributed to the achievement of the Sustainable Development Goals (SDGs), particularly SDG 4 (Quality Education) through the introduction of the academic environment and learning process to new students, and SDG 17 (Partnerships for the Goals) through collaboration between the study program and student organization.

Welcome to the 2026 cohort of Mahadaya at the Javanese Language, Literature, and Culture Study Program. Let us learn, preserve, and develop Javanese culture together as part of the nation’s cultural heritage and identity, while contributing to society.

Writer : Haryo Untoro
Editor : Haryo Untoro