The Department of Javanese Language, Literature, and Culture, Faculty of Cultural Sciences, Universitas Gadjah Mada, has produced many alumni who have contributed to the preservation and development of the Javanese language, literature, and culture. One of them is Aji Setyowijaya, a member of the 2008 cohort who is now dedicated to the world of batik as a craftsman of traditional Yogyakarta batik.

The Department of Javanese Language, Literature, and Culture had the opportunity to visit and interview Aji Setyowijaya, hereafter referred to as Mas Aji, in person on Tuesday, 21 July 2026. The 2008 alumnus, who was also a recipient of a scholarship from Yayasan Arsari Djojohadikusumo (YAD), also known as Yayasan Keluarga Hasyim Djojohadikusumo (YKHD), explained that his interest in batik began with his admiration for inherited batik cloths. He often came across old batik fabrics of exceptional quality and beauty, but they had become so fragile that they were no longer suitable for use. “I used to enjoy looking at inherited batik cloths. The fabrics were beautiful and I wanted to wear them, but they had become too fragile. Eventually, I was motivated to try reproducing old batik cloths. At the same time, during my university years, I also enjoyed wearing rasukan, or traditional Javanese attire,” he said.

This interest encouraged him to begin learning batik-making in 2009. He studied various batik techniques by observing and learning directly at several batik centers in Yogyakarta. During this early period, Mas Aji focused on understanding the principles and techniques of traditional Yogyakarta batik as the primary foundation before developing his own works.

Building on this understanding, between approximately 2013 and 2015, Mas Aji began producing antique batik, also known as batik kama or batik lawasan. According to him, during that period both the public and collectors highly appreciated batik lawasan because it was assumed to have originated several decades earlier. “At that time, in the batik trade, people appreciated antique batik, or kama, or lawasan, with the assumption that the batik was 50–70 years old,” he explained.

However, this experience also gave rise to a sense of concern. According to Mas Aji, batik should not merely be regarded as a classical work that ends with reproducing the past. Batik should continue to develop without abandoning its traditional roots. Based on this perspective, he began incorporating his personal identity into every work he created while also expanding his exploration beyond the characteristic style of Yogyakarta batik.

In line with this spirit, since 2018 Mas Aji has devoted himself to studying natural dye techniques for traditional Yogyakarta batik. For him, learning about natural dyes is not merely about producing a wider range of colors, but also about rediscovering the technical knowledge inherited from earlier generations of batik artisans.

In his creative process, Mas Aji does not work alone. He collaborates with his colleague, Yahya Adi Sutikno, who focuses on the design process, while Mas Aji is primarily responsible for production. This collaboration enables them to produce a wide range of batik works through complementary approaches.

Their works include sample pieces featuring various batik motifs on a single piece of cloth consisting of 27, 260, and even 480 motif samples, as well as replicated batik, batik lawasan, and batik resulting from transformation, media transfer, and various forms of creative batik. Their exploration extends beyond batik cloth itself to other textile media, such as sarung and other types of fabric.

Yogyakarta batik featuring 480 sample pieces of Yogyakarta motifs

Yogyakarta batik with the Gurda motif

Batik featuring a divergent carangan storyline titled "Bima Tani"

In addition to producing batik cloth, Mas Aji is also active in Perkumpulan Wastra Indonesia, a community that brings together enthusiasts and advocates of Indonesian traditional textiles. His dedication to batik is also reflected in his contribution to the book Pesona Padu Padan Wastra Indonesia as a fashion contributor featuring the use of traditional Yogyakarta batik.

Behind all of these creative processes, Mas Aji believes that one aspect that must continue to be preserved in the world of batik is technical knowledge. According to him, discussions of batik have largely focused on philosophical meanings, symbolism, and cultural values, while knowledge of batik-making techniques is at risk of disappearing if it is not documented and passed on. “In my opinion, that domain (philosophy) is not easily lost because there is already abundant literature about it. But technical knowledge can disappear. For example, where should a parang motif begin, and in which direction should it be made? There are specific ways and methods.” For Mas Aji, preserving technical knowledge is just as important as preserving the philosophical values of batik because both are integral parts of the batik-making tradition.

Toward the end of the interview, Mas Aji also shared a message for students of the Department of Javanese Language, Literature, and Culture, encouraging them not to be afraid of exploring opportunities beyond the classroom. “Make big problems smaller, and ignore the small ones. Do not hesitate or be afraid to try and explore. Also, do not limit your horizons to classroom learning alone.”

Mas Aji Setyowijaya’s journey demonstrates that the study of the Javanese language, literature, and culture does not end within the academic sphere, but can also be realized through cultural preservation practices that benefit society. Through his dedication to studying batik-making techniques, reproducing traditional batik, developing innovations grounded in established principles, and continuously exploring new possibilities in the world of wastra, Mas Aji has shown that cultural heritage can continue to live and develop with the times without losing its identity.

For mahadaya who would like to learn more about Mas Aji’s works and activities, they may visit his Instagram account, @setyowijaya, and his Facebook page, Batik Setyowijaya. Through these social media platforms, Mas Aji shares his creative processes, his works, and his activities in preserving and developing the art of batik.

Author            : Haryo Untoro
Editor             : Haryo Untoro

Two students from the Javanese Language, Literature, and Culture Study Program, Faculty of Cultural Sciences (FIB), Universitas Gadjah Mada (UGM), Muhamad Rafi Nur Fauzy and Meifira Arini Pitaloka, have successfully been selected as recipients of the Undergraduate–Master's (S1–S2) Fast Track Program at FIB UGM. The announcement was made on Friday (17/7/2026) through the official social media account of the Faculty of Cultural Sciences UGM. Through this program, students have the opportunity to pursue undergraduate (S1) and master's (S2) studies concurrently, allowing them to complete their study period in a shorter time. Both students chose to continue their studies in the Master's Program in Literature at FIB UGM.

In an online interview conducted on Monday (20/7/2026), both students expressed their gratitude and enthusiasm for being selected as recipients of the FIB UGM Fast Track Program. For Muhamad Rafi Nur Fauzy, the program serves as an opportunity to deepen the knowledge he has acquired during his undergraduate studies. "I aspire to gain a deeper understanding of Javanese Language, Literature, and Culture so that the knowledge I acquire can later benefit society," he explained. Likewise, Meifira Arini Pitaloka viewed the opportunity to continue her studies through the Fast Track Program as a chance to further develop her academic interests while broadening her knowledge. "I want to continue exploring what I am passionate about by making the most of every opportunity and determination I have," she said.

Regarding their prospective research at the master's level, the two students have different academic interests. Rafi hopes to further explore Javanese literature and culture, particularly the existence of the Panji stories in Central Java. "I am interested in further studying Javanese literature and culture, for example, the existence of the Panji stories in Central Java, while the world of Panji itself is more widely associated with Malang," he explained. Meanwhile, Meifira plans to explore a broader range of literary studies. "I want to try not to limit myself only to Javanese literature. My planned research will still be related to images, perhaps in areas such as comic literature or children's literature," she shared.

Both students have also prepared themselves to face the challenges of participating in the Fast Track Program. According to Rafi, the greatest challenge lies in managing his time effectively in order to balance undergraduate and master's studies. "I want to be more disciplined, make better use of my time for my studies, and set aside time for field research," he said. On the other hand, Meifira believes that mental preparedness is an equally important aspect. In addition to striving to do her best, she also emphasized the importance of prayer and self-awareness throughout the academic journey. "I will do my best, never forget to pray, and continue building self-awareness in facing the challenges ahead," she explained.

Concluding the interview, both students shared messages for their fellow students, encouraging them to remain enthusiastic and consistent throughout their academic journey. Rafi encouraged students to consistently pursue what they are genuinely passionate about so that the learning process becomes more enjoyable. "Consistently pursue what you truly enjoy. That way, the learning process will become more enjoyable. Stay motivated, and go through it with ease. Melu ilining banyu ning ora nganti keli (go with the flow of the water, but do not let yourself be carried away by it)," he said. Meifira also shared a similar message. According to her, every choice that has been made should be pursued wholeheartedly and with full responsibility. "Do what you love and love what you do," she said.

The achievement of Muhamad Rafi Nur Fauzy and Meifira Arini Pitaloka in becoming recipients of the FIB UGM Fast Track Program is expected to inspire other students of the Javanese Language, Literature, and Culture Study Program to continue developing their academic potential and make the most of the opportunities available to them. It is hoped that their journey in pursuing master's studies will contribute to the advancement of knowledge, particularly in the fields of Javanese language, literature, and culture.

Gamasutra, Gamelan Mahasiswa Sastra Nusantara (the Nusantara Literature Student Gamelan Ensemble), took part in the Karawitan Festival and Nusantara Bazaar organized by the Faculty of Philosophy, Universitas Gadjah Mada (UGM), on Saturday, 18 July 2026. The Karawitan Festival is part of a series of events held in anticipation of the 59th Anniversary of the UGM Faculty of Philosophy. The event was held at the UGM Faculty of Philosophy Field and, this year, marked its eighth edition.

This year, the Karawitan Festival was attended by 52 karawitan ensembles from within UGM as well as art communities from various regions. All performances were held over two days, Saturday and Sunday (18–19 July 2026), with performances scheduled from 07.00 to 22.00 WIB. The event was also broadcast online via a live stream on the Faculty of Philosophy’s YouTube channel. As one of the groups participating in the festival, Gamasutra not only performed but also took part in enlivening the Nusantara Bazaar.

Gamasutra performed on the first day at 21.00 WIB. The repertoire began with the ladrang Sumyar, followed by several gendhing dolanan, including Emplek-emplek Ketepu, Kembang Jagung, Aku Duwe Pitik, and Manggung Sore, and concluded with Ayak-ayak Pamungkas RRI jugag. Ahead of the performance, Gamasutra members held rehearsals to ensure that the performance would run smoothly and achieve the best possible result. The rehearsals were held over approximately two weeks, with six meetings in total. All Gamasutra members demonstrated great enthusiasm throughout the rehearsal process and eventually performed at the festival.

The 2026 Karawitan Festival was one of Gamasutra’s activities in preserving the cultural arts of the Nusantara. The activity is in line with Sustainable Development Goal (SDG) 4, Quality Education. Gamasutra serves as a means of learning together, particularly in deepening knowledge and skills in karawitan. In addition, Gamasutra’s participation in the Karawitan Festival organized by the UGM Faculty of Philosophy also represents an implementation of SDG 17, Partnerships for the Goals. In this context, the goal to be achieved is the preservation of the cultural arts of the Nusantara.

Author: Carlos Jose Prabakusuma
Editors: Carlos Jose Prabakusuma and Haryo Untoro

In commemoration of the 80th Anniversary of the Faculty of Cultural Sciences (FIB), Universitas Gadjah Mada (UGM), the Undergraduate Program in Javanese Language, Literature, and Culture, Faculty of Cultural Sciences UGM, organized an International Workshop entitled Rereading Wayang: Remembering the Past, Looking Toward the Future on Thursday (9/7/2026). The event invited academics, students, and the general public to revisit the art of wayang, not only as a cultural heritage of the past but also as a tradition that continues to develop and remains relevant in responding to present and future challenges.

To comprehensively explore the theme, the workshop featured three speakers with expertise in their respective fields: Prof. Matthew Isaac Cohen, Ph.D., Alan H. Feinstein, Ph.D., and Dr. G.R. Lono Lastoro Simatupang, M.A. The discussion was moderated by Zakariya Pamuji Aminullah, S.S., M.A.

Remarks by Dr. Rudy Wiratama, S.I.P., M.A., Chair of the Organizing Committee

Remarks by Dr. Mimi Savitri, M.A., Vice Dean for Research, Community Service, Cooperation, and Alumni of the Faculty of Cultural Science UGM

The event commenced at 09.00 WIB with opening remarks by Dr. Rudy Wiratama, S.I.P., M.A., Chair of the Organizing Committee, followed by remarks from Dr. Mimi Savitri, M.A., Vice Dean for Research, Community Service, Cooperation, and Alumni of the Faculty of Cultural Sciences UGM. Following the opening session, the international workshop officially began.

As the first speaker, Prof. Matthew Isaac Cohen, Ph.D., discussed the life of wayang art in the virtual sphere, particularly its development, which became increasingly visible during the pandemic. According to him, the presence of wayang art in the digital world had actually begun long before the pandemic through live-streamed wayang kulit performances. "The life of wayang art in the virtual world had actually begun before the pandemic era, with the emergence of live-streamed wayang kulit performances," he explained. He further elaborated that the existence of wayang in the virtual sphere has continued to transform through various forms of innovation, ranging from the establishment of communities such as Posko Dalang Nusantara, the publication of the book #Dalang Goes to Twitter, the emergence of Wayang Jemblung during the pandemic, to the development of wayang in the form of artificial intelligence (AI)-based animation.

The second speaker, Alan H. Feinstein, Ph.D., presented the topic of the historiography and documentation of Javanese wayang stories. He explained that efforts to document wayang stories have been carried out since the colonial period, both through documentation projects of lakon carangan and through the collection of various ancient manuscript sources. According to him, wayang can be studied from various scholarly perspectives; therefore, documenting facts, data, documents, and various other forms of evidence is essential. This is necessary because wayang performances are ephemeral and leave no trace once the puppeteer concludes the performance.

In the final session, Dr. G.R. Lono Lastoro Simatupang, M.A., discussed the existence of women in wayang performing arts from the perspectives of female puppeteers, wayang characters, women's representation, and the stories performed. He explained that women's participation in the world of wayang has shown positive development, although it still requires further strengthening. "I recommend increasing the number of female puppeteers, enhancing women's skills in wayang performing arts, and creating lakon carangan that are in accordance with contemporary developments," he stated.

Through this workshop, Javanese wayang was understood not only as a performing art but also as a reflection of continuously evolving social and cultural dynamics. The presentations demonstrated that the existence of wayang has always been intertwined with the context of its era while continuing to transform without losing the cultural values that form its foundation. In line with the theme Rereading Wayang: Remembering the Past, Looking Toward the Future, the workshop demonstrated that the preservation of wayang is carried out not only through the transmission of tradition but also through documentation, critical reinterpretation, and various innovations that maintain its relevance amid contemporary developments.

Tuesday (7/7/2026) was a joyful day for the Javanese Language, Literature, and Culture Study Program, Faculty of Cultural Sciences (FIB), Universitas Gadjah Mada (UGM). Yosephin Apriastuti Rahayu, S.S., M.Hum., a lecturer in the field of Old Javanese and Middle Javanese philology, successfully earned a doctoral degree after undergoing a public doctoral defense at Universiteit Leiden.

In her dissertation entitled Learning from the Scribes: A Study of the Old Javanese Uttarakāṇḍa from the Merapi-Merbabu Tradition, Mrs. Apriastuti examines Uttarakāṇḍa, an Old Javanese prose literary work that constitutes the seventh book of the Rāmāyaṇa. The research focuses on four Uttarakāṇḍa manuscripts from the Merapi-Merbabu and Balinese tradition collections to understand how scribes copied, preserved, and transmitted these manuscripts.

Through this research, Mrs. Apriastuti found that the process of manuscript copying is not merely copying the text, but involves a series of activities, such as reading, remembering, reflecting, dictating, and rewriting the contents of the manuscript. The research also shows differences in orthographic systems as well as writing variations influenced by their respective traditions and cultures. These findings help identify copying errors while supporting efforts to reconstruct a textual form that is closer to the original manuscript. In addition, this research demonstrates differences in characteristics between the Merapi-Merbabu writing tradition and the Balinese tradition.

After presenting the results of her research, Mrs. Apriastuti answered various questions from the examiners. The discussion covered several topics, including the role of the Merapi-Merbabu manuscript tradition as a link between Classical Javanese culture and the Javanese and Balinese traditions, the development of writing systems from the Old Javanese period to the modern Javanese script, as well as the cultural and literary relationships among the Sanskrit, Old Javanese, and Balinese traditions.

Mrs. Apriastuti's success in earning a doctoral degree also constitutes an important contribution to the development of Old Javanese philological studies. The research not only enriches the understanding of the manuscript tradition in the Indonesian archipelago, but also supports efforts to preserve written cultural heritage, particularly Old Javanese manuscripts, which serve as important sources for understanding the history, literature, and culture of Indonesia.